#Marvel sentinel comic cover series#
#Marvel sentinel comic cover free#

Though several types of Sentinels have been introduced, the typical Sentinel is three stories tall, is capable of flight, projects energy blasts, and can detect mutants. Sentinels are programmed to locate mutants and capture or kill them. Art by Jack Kirby.Ĭreated by Stan Lee and Jack Kirby, they first appeared in The X-Men #14 (Nov. Publication history Sentinels' debut The X-Men #14 (November 1965). In 2009, The Sentinels were ranked as IGN 's 38th Greatest Comic Book Villain of All Time. The Sentinels are featured prominently in the 2014 film X-Men: Days of Future Past while simulated versions made brief appearances in the 2006 film X-Men: The Last Stand and the 2016 film X-Men: Apocalypse.

#Marvel sentinel comic cover series#

The Sentinels played a large role in the 1990s X-Men animated series and have been featured in several X-Men video games. They are typically depicted as antagonists to the X-Men. 5.The Sentinels are a group of mutant-hunting robots appearing in American comic books published by Marvel Comics. Half of the dialog is painfully awkward, half of the art is chaotically confusing, and half of this entire issue appears to be a waste. Plenty of action and movement keeps you interested, but the art progression in the second half is a mess, so the art is a mixed bag.Ībout The Reviewer : Gabriel Hernandez is the Publisher & EIC of, a comics review site dedicated to indie, small, and mid-sized publishers.įollow on Facebook, Instagram, and Twitter Final Thoughts:Ĭaptain America: Sentinel of Liberty #9 appears to be moving the story in a clear direction until it stops and throws everything away for some unknown purpose. By the time you reach the last page, you don’t know if the story went anywhere or accomplished anything. The scene transitions after the first half are jarringly muddled, and the “evolution” of MODOK to MODOC is so confusingly drawn, you can’t tell what’s happening. MODOC (with a ‘C’) is playing a game, and it’s unclear why or for what purpose. It stops making sense when it’s revealed that all is not as it seems. Between the action is a collection of wildly uneven, sometimes awkwardly painful, dialog, but it all makes sense.

Terrorists get punched, bad guy buildings get blown up, and everyone succeeds at their respective goals… too quickly.

does.Īt a high level, the issue starts off with plenty of exciting action/adventure. Now, the team arrives in NYC and begins the assault on three fronts – disrupt A.I.M.’s coordination network, rescue civilians, and get to the Neganite Reactor before A.I.M.

#Marvel sentinel comic cover free#

and free NY before the techno-terrorist group gets a hold of MODOK’s Neganite Reactor.

When last we left Cap, he assembled a new (and much less exciting version of) the Invaders to attack A.I.M. If you were to summarize this issue with a brief descriptor, it would be this: “The first half is just okay, and the second half completely falls apart.” What is the point of this comic? Do Lanzing and Kelly know where they’re going and what they’re trying to do? Oy! Does the new Invaders team have what it takes to save the day?

Written by: Collin Kelly, Jackson LanzingĬover art by: Carmen Carnero, Nolan WoodardĬaptain America: Sentinel of Liberty #9 finds the new Invaders team assembled to attack A.I.M head-on after the invasion of NYC.